MONDAY*

Issue #6 | July–August 2015

STRANGE BEDFELLOWS: FINDING SUCCESS BY REACHING OUTSIDE YOUR DISCIPLINE

EXECUTIVE
BRIEFING

Peter Drucker observed that “innovation in any one knowledge area tends to originate outside the area itself.” Among products, Drucker wrote, “technological streams … increasingly cross each other, with frequent spillovers from one to the other.” This is also true among entire sectors, as Drucker demonstrated in his classic 1989 Harvard Business Review piece “What Business Can Learn From Nonprofits.” Of course, it’s one thing to recognize that cross-pollination can be effective. It’s another to make it so. People in different domains don’t speak the same language, and throwing them together in a room can result in more noise than insight. Done right, however, cross-pollination helps people to get past their default assumptions.  What follows are the stories of 10 smart executives—working in companies, nonprofits and cities—who have built on this understanding.

STRANGE BEDFELLOWS: FINDING SUCCESS BY REACHING OUTSIDE YOUR DISCIPLINE

In a recent essay, Raj Kosaraju, the chief information officer at Maxil Technology Solutions, encouraged executives to look at their business “with fresh eyes,” in part by scanning neighboring fields—and in part by pushing their gaze to even more distant places.

cross-pollination_image

He noted, for instance, that airlines improved turnaround times for jet service by dissecting the work of Indianapolis 500 pit crews. Oil transmission companies discovered better ways to seal cracked pipelines when they observed the self-healing properties of capillaries. And a whitening toothpaste was invented by studying how laundry detergent cleans clothes.

Each of these examples would have resonated with Peter Drucker, who stressed that “innovation in any one knowledge area tends to originate outside the area itself.” Among products, Drucker wrote, “technological streams … increasingly cross each other, with frequent spillovers from one to the other.” But this is also true among entire sectors, as Drucker demonstrated in his classic 1989 Harvard Business Review piece “What Business Can Learn From Nonprofits.”

Of course, it’s one thing to recognize that cross-pollination can be effective. It’s another to make it so. People in different domains don’t speak the same language, and throwing them together in a room can result in more noise than insight.

Done right, though, cross-pollination helps people to get past their default assumptions. Their minds become more open. What follows are the stories of 10 smart executives who have built on this understanding.

FRAME WORK

The Drucker Institute’s Phalana Tiller visits the San Francisco offices of IDEO, a global design firm that has started to bring in a new discipline to expand its thinking: biology.

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CHRIS RUFER, MORNING STAR

Chris Rufer was already thinking about a different way to manage his company when he came across the book Ants At Work by entomologist Deborah Gordon.

“Although ‘queen’ is a term that reminds us of human political systems,” Gordon writes, “the queen is not an authority figure. … She does not decide which worker does what.” For Rufer, the realization that the insect world behaves this way was validating.

Morning Star, founded in 1970, is now the world’s largest tomato processor. It has no official hierarchy. Instead, Rufer’s thousands of employees operate according to commitments that they make to their colleagues, largely managing themselves, sans bosses. (Gary Hamel has called Morning Star “the world’s most creatively managed company.”)

Rufer’s innovations sprang in part from another kind of crossover: Early in his career he’d worked in trucking, which is largely a self-managed business. Now he was organizing a factory, which is ordinarily highly boss-dependent. Why, he thought, should the factory worker not be as independent as the trucker?

Rufer also closely followed—and continues to follow—the latest findings in psychology and other fields. He subscribes to more than 60 magazines, he says, and in conversation he frequently refers to all manner of research studies. “The job of an entrepreneur or innovator is to take a lot of ideas from other places,” he says. “You don’t really come up with that much yourself. But when you put the pieces of the puzzle together, they come together in a different way.”

The job of an entrepreneur or innovator is to take a lot of ideas from other places. You don’t really come up with that much yourself. But when you put the pieces of the puzzle together, they come together in a different way.

CHRIS RUFER
Morning Star

FUN FACTOR

Microsoft Studios employs a team of psychologists to help the company’s video game designers figure out whether they are maintaining a player’s interest and building products that are sufficiently fun.

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TIM NICHOLS, MICROSOFT STUDIOS

It takes a fertile mind to create a video game like Minecraft, with its world of dragons, zombies, swordplay and a hell-like dimension called “The Nether.”

But sometimes, even the richest exercises of imagination lose their intended audience. That is why Microsoft Studios has a user research team of 50 people, a substantial number of them with doctorates in psychology.

“We hire people who like to think about measuring weird things, like enjoyment or fun or how something feels,” says Tim Nichols, a PhD whose title is “senior user research lead.”

Nichols and his crew help the game designers at Microsoft understand why players might tune out after five minutes, or why they might fail to notice a new icon that’s been tucked into the lower left corner of the console.

Despite a focus on creating measurements for concepts such as “fun” and bringing a scientific lens to the process, Nichols and his colleagues have no intention of encouraging design by committee. Consequently, he says, the designers appreciate the help they get.

“If you get into the head of a designer, you’re getting in the head of a man or woman who spends four or five years thinking deeply about creating something great and who is deeply concerned that their vision is coming across the way they want it to,” Nichols says. So when designers can tap a team of scientists with thoughts about what might be missing and how to make things work better, “that’s a fantastic thing for them to leverage.”

minecraft

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JORGE PIEDRAHITA, NORTH CAROLINA STATE UNIVERSITY

We usually take our pets to one doctor and ourselves to another. But sometimes, it helps to erase this line.

As it turns out, what’s making you sluggish might also be making your pet gerbil sluggish, and what might repair the heart of a horse might repair the heart of a human.

In recognition of this—and with the goal of “one medicine”—more than 100 scientists and doctors from all sorts of specialties have joined together at the Center for Comparative Medicine and Translational Research at North Carolina State University. Founded in 2005, the center draws on experts in biostatistics, oncology, comparative neurobiology and many other fields.

“Scientists are incredibly independent, incredibly smart people,” says Jorge Piedrahita, a professor of genomics at N.C. State’s College of Veterinary Medicine, and the director of the center. Because of this, he explains, it takes diplomacy and a lot of meetings to foster effective communication across the functions.

But interesting findings keep coming in. For instance, center researchers have found that human B-cell lymphoma and canine B-cell lymphoma mimic each other. They have also used cross-disciplinary collaboration to come up with insights on epilepsy, glaucoma and other medical conditions that affect both human and non-human animals.

Such results, says Piedrahita, are what make the complicated task of overseeing the effort worth it: “Seeing the excitement—people saying, ‘I never thought about that’—is very cool.”

VOX BOX

HOW DO OUTSIDE PURSUITS INFORM YOUR WORK?

—Interviews by Ian Gallogly

ALAN TREFLER

Founder and CEO, Pegasystems; Chess Master

MIGUEL PADRÓ

Senior Program Manager, Aspen Institute Business & Society Program; Guitarist for the rock band The Wide Awake

ALAN AUTRY

Former mayor of Fresno, Calif.; Television and film actor

You can make a lot of false analogies in business to chess, because frankly business is tremendously more complicated than trying to figure out 64 squares in two dimensions. However, there are some things about how a chess master looks at a position I find highly relevant to the way I approach business. There are three stages I find myself going through when I’m evaluating a chess move. The first is pattern recognition: What does this look like that is similar to something good or bad that I’ve seen in the past? From there I think about some specific moves and figure out which are most likely to advance the strategy that came out of my pattern recognition step. And then the third and final step is to step back and say, “Is there something disastrous that I’m missing, something that could come out of left field and disrupt the analysis of what I should be doing?” I think it’s important in business to actually go through those three phases when evaluating a strategy—perhaps in even more detail than can actually be played out. This approach came naturally from my experience in chess.

It’s hard for me to imagine my professional career without music, even though my professional career has nothing to do with music. Interestingly enough, as my career arc developed, music became more important to me, though usually, I think, the trajectory is the opposite. As I took on roles in my career that involved broader thinking, the mindset that I take in my musical pursuits—the creative mindset—actually became really important. Obviously, writing a song is quite different from writing a proposal for a new project that you’re trying to get funded. But just understanding the process and the conditions under which I’m most productive and creative has helped me navigate issues at work. I have more creative confidence, I suppose, in my work. The other thing I find is that in my day job I need to take inputs from so many different people and constituents, and in order to do that I think there are these mental muscles that you need to exercise, to be open and to receive multiple inputs, and that is enormously important in music. We tend to think of work and creative pursuits as very different, but they’re just purely human endeavors.

As a leader, you have to be able to communicate, and to different audiences. Acting can really help with that. I had this conversation with a buddy of mine the other day. He goes, “I could never be an actor. I can’t be a fake.” I said, “Frank, you’re the best actor I’ve ever seen. I’ve seen you at your boardroom, and you take on the role of board president. I’ve seen you with your wife when you take on the role of husband, and I’ve seen you with your grandkids when you take on the role of grandpa.” We all take on different roles. That doesn’t mean you’re insincere if you act and behave differently. You’ve also got to understand that every part of your body communicates, not just your voice. So you learn how to stand, and when to hold your head and look away. And acting really helped me with that. I think an acting class would be good for anybody that’s in the public eye because you can say, “I’m not nervous,” but if you’re tapping your foot on the ground and your knees are bouncing, the words will mean nothing because your whole body’s communicating.

ALAN TREFLER

Founder and CEO, Pegasystems; Chess Master

MORE

You can make a lot of false analogies in business to chess, because frankly business is tremendously more complicated than trying to figure out 64 squares in two dimensions. However, there are some things about how a chess master looks at a position I find highly relevant to the way I approach business. There are three stages I find myself going through when I’m evaluating a chess move. The first is pattern recognition: What does this look like that is similar to something good or bad that I’ve seen in the past? From there I think about some specific moves and figure out which are most likely to advance the strategy that came out of my pattern recognition step. And then the third and final step is to step back and say, “Is there something disastrous that I’m missing, something that could come out of left field and disrupt the analysis of what I should be doing?” I think it’s important in business to actually go through those three phases when evaluating a strategy—perhaps in even more detail than can actually be played out. This approach came naturally from my experience in chess.

MIGUEL PADRÓ

Senior Program Manager, Aspen Institute Business & Society Program; Guitarist for the rock band The Wide Awake

MORE

It’s hard for me to imagine my professional career without music, even though my professional career has nothing to do with music. Interestingly enough, as my career arc developed, music became more important to me, though usually, I think, the trajectory is the opposite. As I took on roles in my career that involved broader thinking, the mindset that I take in my musical pursuits—the creative mindset—actually became really important. Obviously, writing a song is quite different from writing a proposal for a new project that you’re trying to get funded. But just understanding the process and the conditions under which I’m most productive and creative has helped me navigate issues at work. I have more creative confidence, I suppose, in my work. The other thing I find is that in my day job I need to take inputs from so many different people and constituents, and in order to do that I think there are these mental muscles that you need to exercise, to be open and to receive multiple inputs, and that is enormously important in music. We tend to think of work and creative pursuits as very different, but they’re just purely human endeavors.

ALAN AUTRY

Former mayor of Fresno, Calif.; Television and film actor

MORE

As a leader, you have to be able to communicate, and to different audiences. Acting can really help with that. I had this conversation with a buddy of mine the other day. He goes, “I could never be an actor. I can’t be a fake.” I said, “Frank, you’re the best actor I’ve ever seen. I’ve seen you at your boardroom, and you take on the role of board president. I’ve seen you with your wife when you take on the role of husband, and I’ve seen you with your grandkids when you take on the role of grandpa.” We all take on different roles. That doesn’t mean you’re insincere if you act and behave differently. You’ve also got to understand that every part of your body communicates, not just your voice. So you learn how to stand, and when to hold your head and look away. And acting really helped me with that. I think an acting class would be good for anybody that’s in the public eye because you can say, “I’m not nervous,” but if you’re tapping your foot on the ground and your knees are bouncing, the words will mean nothing because your whole body’s communicating.

CRY IN YOUR BEER

When social scientists at ReD Associates worked with brewer Carlsberg, they found that the best way to sell to bar owners was to appreciate that their challenges “were more emotional than market-driven.”

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CHRISTIAN MADSBJERG, RED ASSOCIATES

WATER 
COOLER 
CHATTER

James Dyson’s invention of the bagless vacuum cleaner was inspired by a visit to a sawmill, where he saw how a cyclone was employed to get rid of wood dust. Tweet this


To understand cross-pollination requires, in itself, a cross-pollination of disciplines: botany, horticulture, entomology and ecology, among others. Tweet this


DNA co-discoverer Francis Crick, who was a physicist until the age of 30, found that his previous specialty was a “healthy corrective to the rather plodding, somewhat cautious attitude I often encountered when I began to mix with biologists.” Tweet this


Microsoft is said to be the second-largest employer of anthropologists in the world, behind only the U.S. government. Tweet this


A hat-tip to: Craig Wynett; Entomology: Novel Approaches by P.C. Jain and M.C. Bhargava; What Mad Pursuit: A Personal View of Scientific Discovery by Francis Crick; and Graeme Wood in The Atlantic, respectively.

Even today, with all of our efforts at marketing, companies have a habit of designing products for themselves, violating one of Peter Drucker’s cardinal rules: “Quality in a product or service is not what the supplier puts in. It is what the customer gets out and is willing to pay for.”

The consulting group ReD Associates believes it has found a way to help escape this trap: Bring in the social scientists—people with backgrounds in the humanities, like history and sociology and anthropology.

When these experts start work at ReD, they often have an initial discomfort with the business world. “It takes time,” says Christian Madsbjerg, co-founder and senior partner at ReD, whose clients have included corporate giants such as Intel, Adidas, Lufthansa and Abbott International, as well as nonprofits and government agencies. “They work on teams, and they do great work, but they’re not 100% yet.”

After a couple of years, they invariably get there—and spot things that those with traditional business backgrounds are prone to miss. When ReD worked with the brewer Carlsberg, for instance, the firm’s ethnographers were invaluable in sussing out that “bar owners’ challenges were more emotional than market-driven” and that they didn’t like the way they were being treated by the beer maker’s sales force. This led to new products and experiences designed around taking bar owners more seriously “and appreciating the space they held so dear,” as ReD has described it.

“If you spent your 20s trying to figure out how to understand history, people in other cultures, and you combine that with business, you’re suddenly extraordinary,” Madsbjerg says.

5

JEREMY GOLDBERG, CIVIC CONSULTING USA

When he was selected to be a fellow at FUSE Corps, which aims to help local government address the biggest challenges facing cities, Jeremy Goldberg already had experience as a nonprofit founder (Global Youth Partnership for Africa) and private-sector consultant (AMGlobal Consulting). The trick now was to tie together these diverse arenas.

The fellowship, which began in 2012, took Goldberg to San Jose, Calif., where then-mayor Chuck Reed encouraged him to explore collaboration between the city and Silicon Valley businesses, philanthropies and nonprofits. Within a year, Goldberg had worked with the mayor and city leaders to assemble an advisory council of 16 local executives—from across all of these sectors—who were focused on helping San Jose partner with private-sector volunteers and civic agencies.

In 2013, Goldberg’s fellowship turned into a job as deputy chief of staff for civic innovation in the office of the mayor, and Goldberg worked with the senior advisory council to create the Silicon Valley Talent Partnership, a nonprofit devoted to fostering cross-sector collaboration. Its efforts have ranged from relatively modest to ambitious. Examples of the former include the work of six volunteers from eBay who created a kids’ app for the San Jose public library to encourage summer reading. Examples of the latter include bringing open data to city residents so that they can easily digest city budget numbers.

Today, Goldberg is at work at another nonprofit, Civic Consulting USA, which helps put together long-term, multi-company teams as a resource for government leaders to tackle tough issues.

That Goldberg has stayed in this space—working at a nonprofit that links businesses and public agencies—speaks to an emerging desire for cross-sector partnership and learning. “What surprised me was the number of people with a willingness and eagerness to engage as volunteers with their local government,” he says. “There just hadn’t been a bridge to do so easily.”

carlsberg-cans-carlsberggroup-com_

6

ALPHEUS BINGHAM, INNOCENTIVE

What if you’ve built the perfect mousetrap, yet your team of inventors can’t figure out how to equip it with a spring that’s light and flexible enough?

That’s when you might reach for the ultimate in cross-pollination—and call in InnoCentive, a company that specializes in framing a problem and inviting a solution from everyone in the world.

The company got its start in 2001, when founders Alpheus Bingham, Aaron Schacht and Darren Carroll were part of a business innovations unit at drugmaker Eli Lilly. All were familiar with a standard pharmaceutical challenge: finding synthetic routes to the production of a variety of medications. The desired results were known—a molecule made up of certain atoms connected in a certain way—but how to get there was not.

So the team created 21 challenges, with a cash reward tied to each, and invited anyone anywhere to send in a replicable solution. At least six of the challenges were soon solved.

The effort was so successful that Bingham and his colleagues realized that their approach could be applied to other industries, too. The company that they had created in the process of issuing their challenges, InnoCentive, was spun out of Eli Lilly. Bingham became CEO of the independent enterprise, whose purpose was to help other companies to do what Eli Lilly did: find the answer for the one component of an innovation that seems to defy solution.

So far, InnoCentive has posted more than 2,000 challenges, acquired over 355,000 registered “solvers” from across the globe and achieved a success rate of 85%. Notably, Bingham says that the person who comes up with the right answer is almost never the person you would have hired for the task.

When NASA asked InnoCentive to help with a 30-year effort to improve forecasts of particle storms in the sun, to protect astronauts from exposure to radiation, the most accurate algorithm came from a retired telecom engineer in New Hampshire. “The winners usually have adequate knowledge,” Bingham says. “But they haven’t been so indoctrinated in what’s going to work and what isn’t.”

direct-from-drucker2x

7

GREG FISCHER, CITY OF LOUISVILLE

If you’ve ever pushed your beverage cup against a lever for some ice and soda, there’s a good chance you’ve made use of machinery built by ServEnd, a company that Greg Fischer helped to found and then led for almost two decades. Now, as mayor of Louisville, Ky., he’s hoping to press the city’s workers in new directions.

In the private sector, Fischer says, he familiarized himself with the principles of continuous improvement. These days, he is using two different initiatives to instill that same mindset among those who staff Louisville’s various agencies and departments.

A Bloomberg Philanthropies-funded “innovation delivery team” is leading the first effort. It has been focusing on such questions as how to improve emergency medical services and how to rehabilitate vacant lots.

The second effort comes courtesy of the Office of Performance Improvement, established by Fischer to make government services work better and to measure their progress through a system that has been dubbed “LouieStat.” All city departments have now incorporated LouieStat into their operations, and the public can go online and see where things stand for themselves.

For example, Metro Animal Services has set a goal of limiting overtime hours for the year to 1,900. That hasn’t worked too well, as the number has already climbed past 3,000. But Animal Services has also set a goal of reducing lost time injury rates to 3.24, and it has handily surpassed that mark by keeping the rate down to 1.41.

“What I found in government was that there was a real paucity of training other than just functional training,” says Fischer, who stresses that most government employees want to do good work and put their hearts into it. “It’s been similar to the kinds of transformations I’ve done in the private sector.”

MULTIPLE FIELDS

John Rauser, a data scientist at Pinterest, has a history of bringing together people with diverse backgrounds: computer science, but also econometrics, physics and statistics.

8

MARY BETH MCEUEN, MARITZ INSTITUTE

The work of Maritz, a sales and marketing company originally founded as a jeweler in 1894, includes diverse specialties—employee reward programs, customer loyalty programs, meeting and event planning. But there is a common thread to all of these things: making people feel good about their experiences. And that has led Maritz to poke around deeply inside our heads.

“See people as people, put yourself in their shoes and consider their total experience and the residue that you want to create in the brain,” says Mary Beth McEuen, head of the Maritz Institute, a subsidiary whose mission is “unleashing human potential.” It does this by applying the rapidly proliferating insights of neuroscience to the human relationships in which Maritz specializes.

The Maritz Institute has distilled its findings into 21 core design principles, each of which is based on hard science. For instance, the principle of “narrative engagement”—sharing stories that inspire—is rooted in part on studies by Claremont Graduate University neuroeconomist Paul Zak. He has found that the right story can generate strong empathic responses in the brain associated with neurochemicals such as cortisol and oxytocin.

These principles are then taught to in-house “designers,” who help Maritz’s clients create “transformational experiences” through large business meetings, events, motivational programs and customer loyalty programs.

McEuen says that the work of the Maritz Institute, founded in 2009, has influenced not just the designers but the company as a whole. And she stresses that the advantages gained from understanding what’s happening inside the brain are more than just theoretical. “Our measure of ‘unleashing human potential’ turns out to be more closely related to business outcomes than measures of satisfaction or engagement,” she says.

pinterest_ipad

9

JOHN RAUSER, PINTEREST

John Rauser likes to say that a “data scientist” is someone who’s better at statistics than a software engineer and who’s better at software engineering than a statistician.

When Rauser started work at Amazon in 2003, he was a software engineer. He had a talent, however, for discerning bigger-picture questions and then amassing the right information that would help answer them. Before long, Rauser was helping Amazon to recruit others who had a similar knack—people with experience not only in computer science but also in analytic disciplines like econometrics, physics and statistics.

At Pinterest, a visual discovery tool, Rauser’s title is now data scientist. His mission, at its most basic, is to “help people think more clearly.” At the moment, this means that he is designing metrics that will allow the company to assess its users’ experience more accurately.

Rauser says that he has also benefitted in his career from another form of cross-pollination. In the 1990s, while working at a hedge fund, Rauser fell in with a crowd of circus artists, and in order to be a part of their performances, he began studying modern dance. Aside from having fun, Rauser says he learned a lot about communication—and the limitations of relying on data and logic alone.

“If you can also appeal to someone’s emotional experience and make them feel something in a deep way,” he says, “you’re going to be much more effective.”

Assumptions matter, especially those that have faded into the background.

CRAIG WYNETT
Procter & Gamble

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CRAIG WYNETT, PROCTER & GAMBLE

To strengthen its ability to cross-pollinate, Procter & Gamble has taken various steps. Among them: swapping employees with Google and encouraging “open innovation” with those outside the company.

Yet the consumer products maker also recognizes that when you have a one-man cross-pollinating virtuoso, you just let him do his work.

It was Craig Wynett who questioned the virtues of the ordinary mop, noted the absorbent qualities of a dry cloth diaper and came up with a contraption that combines the best of both: the Swiffer.

Wynett, who today serves as P&G’s chief creative officer (and is an emeritus board member of the Drucker Institute), encourages his colleagues always to look for how “A should be applicable to B,” and to be open to defining performance differently.

“Assumptions matter, especially those that have faded into the background,” says Wynett. By challenging such assumptions, Wynett adds, he was recently able to spark a potential innovation in aftershave delivery. (Sorry, shavers, he would not provide details.)

In fact, systematically asking “why” can be more effective than throwing diverse fields together, according to Wynett. “Rather than the anything-is-possible model of creativity, where your measure of a successful meeting is 50,000 Post-it notes on a wall, start with a statement of fact about what you’re doing, then find out what it is you’re assuming about the nature of the world,” Wynett says. “The next question is: Is that true?”*

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Monday Mandate*

What will you do on Monday that’s different?

TAKE A FIELD TRIP

Arrange to visit an organization in another field to learn how it tackles different challenges and opportunities. If you’ve never done this, you’ll be surprised how open and inviting non-competitors tend to be.

SCRUTINIZE YOUR READING LIST

Think hard about the books and publications you usually read—and consciously expand the list to drink in a more diverse selection of subjects and disciplines.

ORGANIZE ‘FOOD FOR THOUGHT’ LUNCHES

On a regular and rotating basis, have the members of your team teach the group about a seemingly non-work-related subject that they’re knowledgeable about—and then discuss what lessons can be connected to your business.